Many poems have inspired the genesis of ‘The Fugitive Stag’ …

THIS IS ONE OF THE LAST ONES, BY MINA LOY

Marble

Greece has thrown       white shadows

sown

their eyeballs with oblivion

A flock of stone

Gods

perched upon pedestals

A populace

of athlete lilies

of the galleries

swoop the facades of space

with spiral curves

of idol substance

in the silence

A colonnade

Apollo haunts Apollo

with the shade

of a lost hand

Kouros 6th century B.C.

As King Arthur drama ‘Cursed’ opens on Netflix, Tom Fordy discusses its legendary precursor ‘Excalibur’ with director John Boorman’s son Charley

A dream to some, a nightmare to others: sex, magic and myth on the set of Excalibur https://www.telegraph.co.uk/films/0/dream-nightmare-others-sex-magic-myth-set-excalibur/

Charley Boorman (Photo by Tim Whitby/WireImage)

Excalibur’s Ending. https://youtu.be/XwK90ecdrXg via @YouTube

The final scene is definitely in my TOP SEVEN movie endings.

If you want to understand Beethoven, listen to his piano sonatas

Beethoven: Sonata No.16 in G Major, Op.31 No.1 (Kovacevich, Goode) https://youtu.be/q7LXQVxd6xA via @YouTube

The first Op.31 sonata is by far and away the funniest of all Beethoven’s 32 sonatas, and it’s kind of hard to explain why it isn’t one of the most famous of them all: all the movements feature attractive melodies, and it brims with good humour from the subtle to the ironically crass. You’ve got the first movement, where the hands can’t play together and the development is built almost entirely around an apparently inconsequential motif, the second, which is a joyfully overlong and increasingly absurd parody of (bad) Italian opera, and the third, full of wily chromatic movement and wry counterpoint.

Ludwig van Beethoven 1770 – 1827

HAPPY 250TH ANNIVERSARY

“Balm for ills unnamed”

REVOLT – Against the Crepuscular Spirit in Modern Poetry

I would shake off the lethargy of this our time,
and give
For shadows—shapes of power
For dreams—men.


“It is better to dream than do”?
Aye! and, No!


Aye! if we dream great deeds, strong men,
Hearts hot, thoughts mighty.


No! if we dream pale flowers,
Slow-moving pageantry of hours that languidly
Drop as o’er-ripened fruit from sallow trees.
If so we live and die not life but dreams,
Great God, grant life in dreams,
Not dalliance, but life!


Let us be men that dream,
Not cowards, dabblers, waiters
For dead Time to reawaken and grant balm
For ills unnamed.

Great God, if we be damn’d to be not men but only dreams,
Then let us be such dreams the world shall tremble at
And know we be its rulers though but dreams!
Then let us be such shadows as the world shall tremble at
And know we be its masters though but shadow!


Great God, if men are grown but pale sick phantoms
That must live only in these mists and tempered lights
And tremble for dim hours that knock o’er loud
Or tread too violent in passing them;


Great God, if these thy sons are grown such thin ephemera,
I bid thee grapple chaos and beget
Some new titanic spawn to pile the hills and stir
This earth again.

EZRA POUND (from Poems and Translations

‘Something only for me’ that I, however, must share …

(AS I CONTINUE TO FOLLOW MY FUGITIVE STAG)

The Annotated “Songs to Joannes,” by Mina Loy (1917)

XIII

Come to me    There is something
I have got to tell you     and I can’t tell
Something taking shape
Something that has a new name
A new dimension
A new use
A new illusion

It is ambient             And it is in your eyes
Something shiny     Something only for you
                                  Something that I must not see

It is in my ears          Something very resonant
Something that you must not hear
                                   Something only for me



Let us be very jealous
Very suspicious
Very conservative
Very cruel
Or we might make an end of the jostling of aspirations
Disorb inviolate egos


Where two or three are welded together
They shall become god
— — — — — — — —
Oh that’s right
Keep away from me    Please give me a push
Don’t let me understand you      Don’t realise me
Or we might tumble together
Depersonalized
Identical
Into the terrific Nirvana
Me you — you — me

Mina Loy and William Carlos Williams in Lima Beans.