The half-a-millennium old carvings that ended-up at the heart of my screenplay …

circa 500 years old Northern European carvings – depicting scenes from the life of St Hubert -the two were in my care … the wood is lime wood and so very light.
The catalyst for my quest – and subsequent epic story – was their theft from ‘my’ church, just after Easter 1988. I was devastated. Wounded in a way that took me years to come to terms with.

SOMEONE, SOMEWHERE, MOST PROBABLY IN EUROPE, OBVIOUSLY, KNOW WHERE THEY ARE – NOT ON PUBLIC DISPLAY BUT BELONGING TO A (SHALL I SAY) ‘CLOSED GROUP.’

It was a privilege to be their custodian for a few years, and to have these excellent prints of them. And, of course, memories that no one can steal.

Cervus fugitivus, forever an ‘elusive presence in my life!

The Fugitive Stag – one of the myths behind a key scene…

Delacroix’s Jacob and the Angel completed 1861

“In immense silence, 
They measure themselves awhile; 
Each suddenly throws himself upon the other; 
Transported, gripped alike, 
Their threatening arms do bend, 
Pressed flank to flank; 
Like a great, uprooting oak, 
Their trunk leans o’er and sways 
Above their entangled knees.”

Delacroix was maybe inspired by Lamartine’s ‘Poetical Meditations’ which describe the two beings entwined like the knotted trunks of the trees looming over them.

The mural is in the Chapel of the Holy Angels, Church of Saint-Sulpice, Paris based on the story in Genesis 32: 22-32)

Alexander Lopuis Leloir’s version from 1865